Interactive analyses of Bach fugues with complete scores synchronized with digital sound and hyperlinked commentary. Check out J.S. Bach: Prelude and Fugue in C (WTK, Book I, No.1), BWV – Fugue by Friedrich Gulda on Amazon Music. Stream ad-free or purchase CD’s and. Check out J.S. Bach: Prelude and Fugue in F (WTK, Book II, No), BWV by András Schiff on Amazon Music. Stream ad-free or purchase CD’s and MP3s.

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These file s are part of the Werner Icking Music Collection. Amazon Second Chance Pass it on, trade it in, give it a second life. It was in fact written in —50, and in imitation of Bach’s example. The well-tempered Twk, or Preludes and Fugues through all the tones and semitones, both as regards the tertiam majorem or Ut Re Mi [i.

Looks typical of Muzyka production from the era. Although the Well-Tempered Clavier was the first collection of fully worked keyboard bahc in all 24 keyssimilar ideas had occurred earlier. From an album featuring a Flemish harpsichord on Pandora Records. Prelude as a theme with variations.

The Well-Tempered Clavier – Wikipedia

Quoted in David, Hans T. Genre Categories Preludes ; Fugues wtkk For keyboard ; Scores wtm keyboard soloists ; For 1 player ; For piano 4 hands arr ; Scores featuring the piano ; Scores featuring the piano 4 hands ; For 2 players ; For 2 violins, viola, cello arr ; For 4 players ; Scores featuring the violin ; Scores featuring the viola ; Scores featuring the cello ; For organ arr ; Scores featuring the organ ; For violin, viola arr.


They may not be public domain elsewhere. Prelude and Fugue i Seven Generations of Creative Geniuspp.

It was restored by Frank Hubbard in Boston Since there have been many other proposals and many performances of the work in different and unequal tunings, some derived from historical sources, some by modern authors. PDF scanned by piano.

Das wohltemperierte Klavier I, BWV 846-869 (Bach, Johann Sebastian)

Arranger Friedrich Hermann — They may not be public domain elsewhere. Please click here to manage your MP3 cart content. More information about this can be found here. Javascript is required for this feature. The two major primary sources for this collection of Preludes and Fugues are the “London Original” LO manuscript, dated between andwith scribes including Bach, his wife Anna Magdalena and his oldest son Wilhelm Friedeman, which is the basis for Version A of WTC II[29] and for Version B, that is the version published by the 19th-century Bach-Gesellschafta copy primarily written by Johann Christoph Altnickol Bach’s son-in-lawwith some corrections by Bach, and later also by Altnickol and others.

Creative Commons Attribution Share Alike 3. For most arrangements, see the separate pages for the individual preludes and fugues. Prelude and Fugue Bacb minor Played by V.

Well-Tempered Clavier: analysis, scores, and digital sound

Harpsichord performances of various parts of Book I by Martha Goldstein are in the public domain. Bach P at www. This is NOT the original Bischoff-edition: Text in Polish, title page and contents in Russian. I don’t like that it’s too staccato,; I prefer bwch to be more legato. The best-known piece from either book is the first prelude of Book I.

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Anthony Newman has recorded it three times — twice on harpsichord and once on piano. Retrieved from ” https: Editor Carl Czerny — Preludes and Fugues Nos.

Editor Alfred Kreutz January 1, Release Date: Editor Hermann Keller Different engraving than PWM score above. These file s are part of the Werner Icking Music Collection. Universal Editionn.

Bach’s example inspired numerous composers of the 19th century, for instance in Chopin started composing his 24 Preludes, Op. Bach Twelve Little Preludes. From the Album Bach, J. But, with the maturing of the Classical style in the s, the Well-Tempered Clavier began to influence the course of musical history, with Haydn and Mozart studying the work closely. Performer Pages Raymond Smullyan piano.

The three most cited sources are ForkelBach’s dtk biographer ; Friedrich Wilhelm Marpurgwho received information from Bach’s sons and pupils; and Johann Kirnberger wrk, one of those pupils.

Bach P 2. Several attempts have been made to analyse the motivic connections between each prelude and fugue, [31] — most notably Wilhelm Werker [32] and Johann Nepomuk David [33] The most direct motivic reference appears in the B major set from Book 1, in which the fugue subject uses the first four notes of the prelude, in the same metric position but at half speed.

Scarecrow Press, Lanham, Md. Editor Max Reger –