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Sodpm libertines kidnap eighteen teenagers and subject them to four months of extreme violence, murder, sadism and sexual and mental torture. The film explores the themes of political corruptionmurder, abuse of power, sadism, perversion, sexuality and fascism. The story is in four segments, inspired by Dante ‘s Divine Comedy: It had a brief theatrical run in Italy before being banned in January and was released in the United States the following year on 3 October Because it depicts youths subjected to intensely graphic violence, relentless sadismsexual deviance and brutal murder, the film was extremely controversial upon its release and has remained banned in several countries into the 21st century.
The confluence of thematic content in the film—ranging from the political and socio-historical, to psychological and sexual—has led to much critical discussion of the film.
It has been both praised and decried by various film historians and critics and was named the 65th scariest film ever made by the Chicago Film Critics Association in The film is separated into four segments with intertitles, based on Dante ‘s Divine Comedy: They rule sdom when they get to the mansion their daughters must be completely naked at all times.
They recruit four teenage boys to act as guards dressed with uniforms of Decima Flottiglia MAS and four young soldiers called “studs”, “cockmongers” or “fuckers”who are chosen because of their large penises. They then kidnap nine young men and nine young women and take them to a palace near Marzabotto.
Donatien Alphonse François de Sade – Wikiquote
During the many days at the palace, the four men devise increasingly abhorrent tortures and humiliations for their own pleasure. During breakfast, the daughters enter the dining hall naked to serve food.
One of the studs trips and rapes a daughter in front of the crowd, which laughs at her cries of pain. Intrigued, the President moons several slaves before prompting the stud to perform anal sex on him and the Duke sings ‘Sul Ponte di perati’. Signora Vaccari uses a mannequin to demonstrate to the young men and women how to properly masturbate a penis and one of the girls tries to escape, only to have her throat cut.
Signora Vaccari continues with her story. Two victims, Sergio and Renata, are forced sodoj marry. The ceremony is interrupted when soxom Duke fondles several victims and prostitutes. Tabe the end, Sergio and Renata are forced to fondle each other and the men rape them to stop them from having sex with each other.
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During this, the Magistrate engages with the Duke in three-way intercourse. Another day, the victims are forced to act like dogs. When one of the victims, Saee, refuses, the Magistrate whips him and tortures the President’s daughter by tricking her into eating food containing nails.
As she tells her story, the President notices that one of the studs has an erection and fondles him; another stud uses a female victim’s hand to masturbate himself. She also explains how she killed her mother over a dispute about her prostitution and Renata cries, remembering the murder of her own mother.
The Duke, sexually excited at the sound of her cries, begins verbally abusing her. The Duke orders the guards and studs to undress her. During this, she begs God for death and the Duke punishes her by defecating and forcing her to eat his feces. The President leaves to masturbate. Later, the other victims are presented with a meal of human feces. During a search for vno victim with the most beautiful buttocks, Franco is picked and promised death in the future.
The men angrily order the children to laugh, but they are too grief-stricken to do so. The Wade and Signora Vaccari tell df to make the victims laugh.
The wedding ceremony ensues with each man of power exchanging rings with a vln. After the wedding, the Bishop consummates the marriage and receives anal sex from his stud. The Bishop then leaves to examine the captives in their rooms, where they start systematically betraying each other: Claudio reveals that Graziella is hiding a photograph, Graziella reveals that Eva and Antiniska are having a secret sexual affair and Ezio, a collaborator and the black servant sodmo are shot dead after being found having sex, but not before Ezio makes a defiant Socialist salute.
Victim Umberto Chessari is appointed to replace Ezio. Toward the end, the remaining victims are called out to determine which of them will be punished. Graziella is spared due to her betrayal of Eva and Rino is spared due to his submissive relationship with the Duke.
Those who are called are given a blue ribbon and sentenced to tafe painful death. The victims huddle together and cry and pray in the bathroom. They are then raped, tortured and murdered through methods such as brandinghanging, scalpingburning and having their tongues and eyes cut out, as each libertine takes his turn to watch as a voyeur. The soldiers shake hands and bid each other farewell and the Pianist commits suicide due to her grief, leaping from a window.
The film’s final shot is of two young soldiers, who had witnessed and collaborated in all the atrocities, dancing a simple waltz together; one asks the name of the other’s girlfriend back at home. Pasolini’s writing collaborator Sergio Citti had originally been attached to direct the film version of the Marquis de Sade ‘s The Days of Sodom.
In the film almost no background is given on the tortured subjects and for the most part they almost never speak. Initially Ninetto Davoli was chosen to play Claudio, a young collaborationist, but due to legal problems he had to decline, the role being replaced by Claudio Troccoli, a young man who had a similarity to Davoli in his first films. Pupi Avati, being the writer, is not officially accredited due also to legal problems.
Most of the actors of the cast, although they were natural actors, many of them were models that did not have modesty to show their naked bodies and most of them retaining their original name. Franco Merli was considered like a prototype of the Pasolinian boy.
Ezio Manni remembers during filming: When to reward the link the gun to his head, he had a rebellious snap, could not withstand that gesture. Then, there, too, he came the assistant director and if it is embraced. Franco Citti was going to play one of the soldiers’ studs, but he did not appear. He was chosen for the role because he had all “the characteristics of a decadent intellectual. Skdom Valletti the President was a friend of Pasolini from the time of Accattone.
Giorgio Cataldi the bishop another friend of Pasolini, was a clothes seller in Rome. Paolo Bonacelli El Duque had participated in several vob Italian productions of the s and s. Several outdoor scenes ssade filmed in Villa Aldini,  a neoclassical building on the hills of Bologna. The interiors were shot in Villa Sorra near Castelfranco Emilia. The town on the Reno eade the fictional location in Marzabotto.
The shooting, carried out mainly in the sixteenth-century Villa Gonzaga-Zani in Villimpenta in the spring ofwas difficult and involved scenes of homophiliacoprophagia soodm sadomasochism. The acts of torture in the courtyard caused some of the actors to suffer abrasions and burns.
Donatien Alphonse François de Sade
During the making of the film, some reels were stolen and the thieves demanded a ransom for soxom return. They reshot the scenes, using doubles: At the trial for Pasolini’s murder, it was hypothesized that Pasolini was told the film tags were discovered in Ostia Lido.
He tagge led there by Pelosi, the accused, and fell victim to an ambush, where he died. The original music corresponds to Ennio Morricone interpreted at the piano by Arnaldo Graziosi.
It seems that Pasolini was undecided on what type of conclusion the film should have, to the point of having conceived and shot four different endings: Pasolini on the film’s depiction of sex, The film remains banned in several countries and sparked numerous debates among critics and censors about whether or not it constituted pornography due to its nudity and graphic depiction of sex acts.
The Days of Sodom – Wikipedia
A cut version prepared under Ferman’s supervision, tagw without formal certification, was subsequently screened under cinema club conditions for sodo, years.
Inin an uncut form, the film was finally passed for theatrical and video distribution in the United Kingdom. The film was not banned in the United States and received a limited release in October ; it was, however, banned in OntarioCanada.
A sodm group of artists, including Martin Scorsese and Alec Baldwinand scholars signed a legal brief arguing the film’s artistic merit; the Ohio state court dismissed the case because the police violated the owners’ Fourth Amendment rights, without reaching the question of whether the film was obscene. It was banned in Australia in for reasons of indecency. However, the Australian Classification Review Board overturned this decision in February and banned the film outright, for “offensive cruelty with high impact, sexual violence and depictions of offensive and revolting fetishes”.
The film was then pulled from all Australian cinemas. According to the Australian Classification Board media release, the DVD was passed due to “the inclusion of minutes of additional material which provided a context to the feature film. Screening this film in a cinema without the additional material would constitute a breach of classification laws.
In New Zealand, the film was originally banned in The ban was upheld in Inspecial permission was granted for the film to be screened uncut at a film festival. Inthe DVD was finally passed uncut with an ‘R18’ rating. The film’s reputation for pushing boundaries has led some critics to criticize or avoid it; the Time Out film guide, for example, deemed the film a “thoroughly objectionable piece of work,” adding that it “offers no insights whatsoever into power, politics, history or sexuality.
Upon the film’s release in the United States, Vincent Canby of The New York Times wrote, ” Salo is, I think, a perfect example of the kind of material that, theoretically, anyway, can be acceptable on paper but becomes so repugnant when visualized on the screen that it further dehumanizes the human spirit, which is supposed to be the artist’s concern.
Haglund concluded that he still would not watch the film. Jonathan Rosenbaum of the Chicago Reader wrote of the film: Very hard to take, but in its own way an essential work. Commenting on the film’s prevalent sexual themes, horror film scholar Stephen Barber writes: No scene of a sex act has been confirmed in the film until one of the libertines has approached its participants and sodomized the figure committing the act. Nikos Nikolaidis ‘ The Zero Years has been compared to the film.
The documentary also included photographs taken on the set of the film. From Wikipedia, the free encyclopedia. For the book in which this film is based, see The Days of Sodom. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.
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