EDU LOBO SONGBOOK ALMIR CHEDIAK PDF

Edu Lobo – Uploaded by .. Sheets-Songbook – Partitions de Georges Brassens (37 Chansons) Songbook – Bossa Nova 3 (Almir Chediak). pdf. : Songbook: Edu Lobo () by Almir Chediak and a great selection of similar New, Used and Collectible Books available now at. Find album credit information for Edu Lobo Songbook – Edú Lobo on Edú Lobo . Edu Lobo Songbook. AllMusic Rating. User Ratings (1) Almir Chediak.

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It mustbeunderstoodthat,inBrazil waschanging. It wasthefirst yearof luscelinoKubitschek’s govern- mentandthepresidentialplantomake thecountrydevelop50yearsin5 wasin full swing. Popularmusic,therelore,couldnotre- mainaloollromtheatmosphere01reno- vation,especiallyasithadatitsdispo- sal thenewtechnology01highfidelity soundandthelO-inchLP.

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They belongedtothemiddleclass intheBos- saNova,we’reall bourgeois. Theyknewaboutmusicaltech- niques wecannotlorgetthatmostolthe musicatthetimewaspejorativelycal- ledtheproduct01matchboxcomposers andone01theiraimswastomakeBra- zilianpopularmusicassophisticatedas themusictheyheardonrecordsimpor- tedlrom theUSoIt certainlywasnot theirintentiontoslavishlycopywhate- vercomeinlromoutside,buttousere- sourcesinourSambathat,in theiropi- nion.

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As it wasnota movementthathadsetrules. Theyhadincommonadesiretodo somethingnewanda convictionthat whathadbeendonebelore.

Bossa Nova Songbook 1 Almir Chediak (1)

Carlos Lyra — RobertoMenescal 20 Songbooko BossaNava VinidusdeMoraese TomJobim fore, throughouttheyears,wefind the mostdiverseinterpretationsof themo- vementin interviewswiththefounding membersthemselves. Whodoesn’tre- memberthefamousjamsessionsin the BecodasGarrafas?

Buttoreducethe BossaNova to this influencealone wouldbefarfromthetruth. TomJobim, JustcaU mymusic Samba. He confessed that,in fact, his worksimbibedmore fromtheharmoniesofChopinthatfrom jazz.

JodoGilberto,oneofthegreatle- adersof themovement,oncerequested thathismusicbecalledsimplySamba andnotBossaNova. Pianistandcom- poserJodo Donato,in a interviewhe gavemein ,saidthathehadno- thingtodowiththeBossaNova.

Theywantmetobeoneof thefounders,oneof thepopes,but 11 that’s all bullshit. He was,infact, thefirst oneto protestopenlyabouttheinfluenceof jazz in theBossaNova in an ironic Sambawithafranklyjazzorchestration.

The bVIm6 Chord: The Genius of Tom Jobim Part.1

However,whethertheylike it or not, theywerefundamentalcharactersinthe creationoftheBossaNova. Jodo Gilbertocamein with hisrevolutionarywayofsingingandhis famousguitartechnique.

Viniciusde Moraes,RonaldoBoscoli,theduoJo- bim-NewtonMendon’s’aandthepoorly- rememberedlyricistCarlosLyratighte- nedup thetraditionallyricformsand madethemlesswordy,bothinformand in contentoOn lookingbackoverBra- zilianpopularmusic,noonecandeny that,duringthesecondhalfof thede- cadeof the50s,a definitechangeof directiontookplacethat,whileit did notalterpopular music’s trajectory completely,it didleaveitsmarkonthe timesandinfluencetheextraordinary generationofmusiciansthatweretofol- low,whichcanbeconsideredoneofthe mostimportantof all.

Tounderstandcorrectlywhatthemo- vementwasitmustbesaidthattheBos- A definite change of direction took place saNovadidnotshootintothehitpara- desof thetimes.

Butthisonly goestoshowthatrarelyistheconsumer societyin thesameboatasmusicalre- ality.